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Strathmore (564-8 Cartoncino per supporti misti serie 500, pergamena, 8"x10", 6 fogli, cartoncino bianco 8x10

Brand:Strathmore

3.7/5

€
40.71

La scheda pergamena per supporti misti Strathmore serie 500 utilizza un foglio di dimensioni interne di qualità con finitura pergamena resistente montata su entrambi i lati di una lavagna bianca di alta qualità per iniziative artistiche professionali. Ideale per acquerello, gouache, acrilico, grafite, penna, inchiostro, matita colorata, pennarello, pastello e collage; questo blocco offre il formato perfetto per lavori su supporti misti sia in ambito artistico che commerciale. La scheda pergamena per supporti misti della serie Strathmore 500 è realizzata con carta d'archivio, lignina e priva di acidi. La carta è la nostra forma d'arte e celebriamo gli artisti. Manteniamo viva la tradizione di creare cartine belle e performanti da oltre 125 anni. La scelta della carta è una delle decisioni più importanti che un artista prende nel determinare il risultato del proprio lavoro. Non importa la tua scelta di mezzo,

Quantity
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EAN: 0012017564086

Categories: Arti, artigianato e cucito, Forniture per pittura, disegno e arte, Carta d'arte, Carta Bristol e pergamena, Pergamena,

6 fogli (52 pt.) per confezione. Pergamena di qualità professionale 8x10 e 100% cotone. Carta d'archivio, lignina e priva di acidi. Ideale per acquerello, gouache, acrilico, grafite, penna, inchiostro, matita colorata, pennarello, pastello e collage. Ottimo per creare opere d'arte e illustrazioni commerciali.
Brand Strathmore
Color White
Country of Origin USA
Customer Reviews 4.7 4.7 out of 5 stars 305 ratings 4.7 out of 5 stars
Is Discontinued By Manufacturer No
Item model number 500 Series Mixed Media
Item Weight 10.1 ounces
Manufacturer Strathmore
Material Paper
Paint Type Acrylic,Gouache,Watercolor
Paper Finish Watercolor
Product Dimensions 10"L x 8"W
Product Dimensions 10.25 x 9.38 x 0.31 inches
Sheet Count 6
Sheet Size 8 x 10 inches

3.7

11 Review
5 Star
83
4 Star
8
3 Star
4
2 Star
2
1 Star
3

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Scritto da: Deacon U.
This paper is perfect for gouache painting!
Strathmore's 500 Series Mixed Media Paper is amazing for gouache. It's heavy paper, and for comparison, it's as thick as two papers from Strathmore's 400 Series Mixed Media Paper stacked together. As for the texture, it's smooth, but a *little* bit more textured than Arches hot press watercolor paper. The texture is far from the cold press texture of Arches cold press texture, so on a spectrum, I'll place the 500 Series paper's texture like this (Arches HP being 1 and Arches CP being 10): (Arches HP) | 2 (Strathmore 500 Series (3)) | 4 | 5 | 6 | 7 | 8 | 9 | (Arches CP) Gouache is typically painted on smooth papers, as many painters prefer that type of surface, but rougher surfaces are also chosen. Many smooth surfaces exist out there, but there aren't many smooth papers out there that offer a thickness without breaking the bank. Smooth watercolor paper that are 300gsm are still prone to warping and buckling, and watercolor papers weighing 2x 300gsm are very expensive. While the paper can resist heavy buckling and warping, you want to be careful with scrubbing or overworking a certain area with a lot of water. Pilling can occur because this paper is not really equipped for some techniques used in watercolor. I would steer clear of this paper if you are a watercolor artist that relies on scrubbing and heavy water usage. I'll try watercolor on this paper someday with careful water usage and will update this review with the results ASAP. The only sizes available in this line are 6 x 8 in (15.3 x 20.3 cm), 9 x 12 in (22.9 x 30.5 cm) and 11 x 14 in (27.9 x 35.6 cm). Hope Strathmore can make a bigger size like 12 x 16 in someday... Other than that, this paper is great for opaque applications with gouache and acrylic gouache, and great with graphite and pen. Color pencils, markers, charcoal, ink (without heavy water usage), chalk, dry pastel are fine. Wouldn't recommend oil based products on paper since oil on unprimed paper can degrade paper. I recommend it, especially for gouache painters looking for a smooth surface that is thicker than most expensive watercolor paper pads out there.
Scritto da: JS
Great customer service- excellent paper
Initially the product arrived damaged. Often the corners are the hardest to protect! It was promptly returned and another sent out right away.
Scritto da: I. Withheldit
My favorite surface for water media.
This is great paper. Not like watercolor paper, but holds watercolor very well. Great with gouache, pen and ink, ink washes, but shines, in my opinion, for use with gouache and extensive blending and glazing. Easy to work up a painting, similar as one might do with an oil painting. Takes a beating, and erases very well. I bought 3 of these to have in reserve for special projects. More like a pad of boards than a pad of paper. Love.
Scritto da: Christopher Denmon
Great Paper for all media
I have been working with this heavy weight paper for a long time, all off of the roll. In order to take the roll curl out, I wet large sections with warm water, and let it set to dry. Then I cut all my project pieces to size. No more roll curl, and due to the papers heavy weight the water has no other effect other than removing the curl. The tooth of this paper is amazing for working my graphite and charcoal pieces, and accepts my inks incredibly well. I've created water color paintings on this paper, and have had little issues...I just have to allow the piece to sit longer than I would with true watercolor paper. I have cut these rolls down to make my own drawing books, as well as large scale individual pieces. Over all this paper is amazing for artist trying to work multiple projects of many sizes with a moderate cost. You just have to know how to work with paper from rolls before purchasing. Inexperience with rolled paper can indeed cause frustration, and I assure you...it's not the papers fault.
Scritto da: Jodi B.
Texture is rougher in the 500 series than other "mixed media" papers by Strathmore
I bought this Strathmore 500 Series 11" X 14" pad because the 500 series is archival, and because I wanted a larger format than the smaller, Strathore 400 Series Mixed Media pads I already had. With the other pads, I had done work using colored pencils successfully, but with this new pad ($28 dollars) I am very disappointed. It has way more "tooth" than the other Mixed Media papers and my work looks awful. It's hard to blend colors even with patience and even using a solvent to blend after I layer my colors. The texture ruins it for me. I had not expected the texture to be so much rougher on a larger pad. It is just not the same as the other "Mixed Media" papers from Strathmore. I will not buy again. I used only one of the 15 sheets and wish I could have a refund. $28 plus tax is a lot for something I cannot use.
Scritto da: Rex
Sturdy, versatile, and can take what you throw at it
I work primarily in watercolor and ink, and as such typically work on quality, 100% cotton watercolor paper. This stuff is definitely a different beast than standard 140# Arches cold press. I'm pretty sure it's not externally sized, for one, so it tends to absorb more quickly. That can be a good or bad thing as long as you know how to work with it. It's also quite smooth - close to a typical hot press surface but textured differently. Graphite erases cleanly from it, it takes intricate line work quite well, and because it's so heavy you don't even need to tape/stretch it (it'll deform a bit with large heavy washes but doesn't really buckle, and with little effort you can flatten it sufficiently to hang/mount). I've been using it almost exclusively for ink-and-paint-style portraiture, which I find it well suited for. Because it's more absorbent, washes tend to end up with harder edges, but honestly I kind of like the style anyway. I actually find it easier to work in transparent layers/glazes on this than on standard hot press watercolor paper, which has allowed me to develop some complex, natural-looking tones with relative ease. I would love if Strathmore offered gummed pads of it in larger sizes (maybe 18x24?). Otherwise no complaints. It's a very forgiving surface and can work well with a lot of different media and techniques. I've even done some weird abstract mixed media stuff with acrylic ink and heavy layers of sealing wax and it held up just fine. I'd be curious to try it with heavy body acrylics. Overall, my favorite new paper. Highly recommended.
Scritto da: Helen R
Really lovely paper for mixed media.
I used this for mix media painting - watercolour with coloured pencils over the top. It's gorgeous to work with, nice quality and heavyweight - more like card than paper. I did find it slightly difficult to build up layers in pencil at first - I'm using Faber-Castell Polychromos - but once the initial layers were down, they layered like a dream and the paper took quite a lot of pigment before it was too saturated to work with. The watercolours (Daniel Smith) came out beautifully vibrant, and there was hardly any buckling; the paper is heavy enough that there's no need to stretch it. I'm impressed, and will definitely use this again.
Scritto da: paul langereis
nice heavy paper!
I love this paper! It is very thick, and easy to work with. I use it for pointillism drawings and small paintings. Works like a charm!
Scritto da: Antonio
Calidad suprema
El producto cumple con lo publicado, muy satisfecho GRAN CALIDAD. Recibido antes de plazo, deseando probarlo
Scritto da: Maria Neri
Fantastico!
funciona genial para acuarela y acrilico, sin duda lo volveré a comprar.
Scritto da: Doug McIlveen
Quality product
Ideal for mixed media artwork...used for watercolor backwash over layered with Prismacolor pencil very effectively.

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